Amritavarshini - Nadaamritam 2025: A Melodic Tribute to Post-Trinity Composers

The annual Nadaamritam festival by Amritavarshini Academy is a grand celebration of Carnatic music, showcasing the beauty and depth of this rich tradition. This year, the Veena and Vocal segments brought an unparalleled vibrancy, featuring compositions by post-Trinity composers who have enriched Carnatic music through their lyrical and melodic innovations. The event was hosted by Lasya Praturi and Dhruv Pediredla for the Veena segment, and Harshini Kathiresan and Kruthi Bhogaraju for the Vocal segment, with Lavanya Inguva joining as a special host. Together, they led the audience through an exquisite journey of musical brilliance.

School: Amritavarshini
Date: March 2nd, 2025.
Venue: Granvill Arts Center.
Videography: Saravana Creations

Key Highlights of the Veena Segment

Amma Aananda Dayini (Ragam: Gambheera Nata, Thalam: Adi) – Composed by Sri Mangalampalli Balamurali Krishna, this opening piece was rendered beautifully by Neela, Chakri, Padmini, Raji, and Sravya, setting the perfect tone for the evening.

Krishnum Vishnum (Ragam: Sankarabharanam, Thalam: Adi) – A spiritually uplifting composition by Sri Ganapathy Sachidananda Swamiji, performed by Sugu, Saudamini, Kalpana, Radha, and Sunitha. The piece highlighted the Swamiji’s belief in the healing power of music.

Swarapallavi (Ragam: Amritavarshini, Thalam: Adi) – Composed by Sri Srini Prabhala, this piece was presented by Ushasree, Soundarya, Anitha, Raji, Sudha, and Arasi. Known for its association with rain, Amritavarshini brought a refreshing energy to the stage.

Rara Raama (Ragam: Bangala, Thalam: Adi) – A devotion-filled composition by Garbhapuri Vasa, brought to life by Deeksha, Sahana, Vimala, Zniya, Daksh, Ramya, and Rama.

Namah Sivayah (Ragam: Hindolam, Thalam: Adi) – A profound tribute to Lord Shiva, composed by Samavedam Shanmukha Sarma and performed by Lipi, Sreekari, Diya, Ananya, and Akshara.

Sudhamayi (Ragam: Amritavarshini, Thalam: Rupakam) – Composed by Muthiah Bhagavatar, presented by Surekha, Pallavi, Vindhya, Lavanya, Vaishnavi, and Raji, this composition captured the audience with its lyrical beauty.

Saraswati Namostute (Ragam: Saraswati, Thalam: Rupakam) – A divine invocation by G.N. Balasubramaniam, skillfully rendered by Mahati, Kruti, Swarupa, Lasya, Varshia, Komala, and Harshini.

Thillana (Ragam: Mohana Kalyani, Thalam: Adi) – The energetic rhythms of Lalgudi G. Jayaraman’s Thillana, performed by Swarupa, Mahati, and Sravya, left the audience mesmerized.

Govinda Namalu (Ragam: Ragamalika, Thalam: Adi) – Composed by Padmasree Kanyakumari, this grand concluding performance, featuring a large ensemble, left a lasting impact on everyone present.

 A Celebration of Instrumental Music

The Veena segment of Nadaamritam 2025 was more than just a concert—it was an experience of deep spiritual resonance. Through the masterful renditions of these post-Trinity compositions, the performers honored the legacy of Carnatic music while showcasing their own dedication and artistry.

 Closing Thoughts

As the final notes of Govinda Namalu faded, the audience was left with a sense of profound appreciation for the beauty of Veena music. The hosts expressed their gratitude, and the segment concluded with a heartfelt acknowledgment of the students, teachers, and audience members who made the event a grand success.

Nadaamritam 2025’s Veena segment was truly a tribute to the power of instrumental music, proving once again that the timeless beauty of Carnatic tradition continues to thrive.

 Key Highlights of the Vocal Segment

Bhaja Maanasa (Ragam: Bahudari, Thalam: Adi) – A reflective piece by Tulasi Vanam, beautifully rendered by Kaushik, Dhruv, Saket, Shreyas, and Pratheek, setting the mood for the evening.

Sakala Mantramu (Ragam: Nata, Thalam: Adi) – A spiritual piece composed by Samavedam Shanmukha Sarma, performed by Saket Iswara, channeling devotion through melody.

Hara Svedam (Ragam: Sankarabharanam, Thalam: Eka) – A timeless kriti by Sri Swathi Tirunal, sung by Aadhya, Tara Skanda, Veda, and ensemble, invoking the presence of Lord Shiva.

Mandhara Dhaare (Ragam: Kambhoji, Thalam: Adi) – A composition by Paidala Gurumurthi Sastry, presented by Aradhya, Sai Akarsha, Shristi, Aadhya Sri, Pranavi, Nidhi, Sriyan, Ananya, Vedasya, and Snigdha, capturing the grandeur of Kambhoji raga.

Sri Govinda Geetham (Ragam: Sankarabharanam, Thalam: Mathya) – A melodious and deeply devotional piece, presented by a vibrant group ensemble.

Rara Venu (Ragam: Bilahari, Thalam: Adi) – A Patnam Subramanya Iyer composition, brought to life by Akshaj, Anvesh, Vihan, Karthik, Kalyani, Pranathi, Tanushree, and Snigdha.

Sambasiva Yanave (Ragam: Khamas, Thalam: Adi) – A Chinna Krishna Dasa composition, rendered by Prerna, Rithvika, Arush, Dheemahi, and Pravika, paying homage to Lord Shiva.

Neekela Daya (Ragam: Khamas, Thalam: Adi) – A Mysore Vasudevachar composition, presented by Sanjana Vallampati and Anjali Prabhala, exuding the lyrical beauty of Khamas raga.

Yaarakku Tan (Ragam: Jaya Manohari, Thalam: Adi) – A striking piece by Gopalakrishna Bharathi, performed by Amrita, Saanvi, Sreemayi, Deshna, Eshaan, Siya, and Anirudh.

Paridana Michite (Ragam: Bilahari, Thalam: Adi) – Another Patnam Subramania Iyer composition, passionately presented by Meghana, Poorvi, Uma Gauri, Lasya Pasapula, and Lasya Praturi.

Geeta Vadya Natana (Ragam: Natakapriya, Thalam: Adi) – A vibrant composition by Tanjavur Sankara Iyer, skillfully performed by Anjali Prabhala.

Singara Vel (Ragam: Ananda Bhairavi, Thalam: Adi) – A Papanasam Sivan classic, elegantly presented by Sumedha, Harshini, Himani, Medha, Poornima, Anjali, and Sreshta.

Maa Valla Kadamma (Ragam: Maand, Thalam: Adi) – A melodious Javali by Chittoor Subramanya Pillai, brought to life by Vibhav, Taran, Sahana, Svasti, Asrita, and Vaishnavi.

Tam Tam Tam Udani (Ragam: Khamas, Thalam: Adi) – A high-energy Thillana by Patnam Subramania Iyer, featuring a large vocal ensemble.

Jaya Jaya Bhuvi Divi (Ragam: Bahudari, Thalam: Adi) – A Ganapathy Sachidananda Swamiji composition, performed by all vocal students, serving as the grand finale.

 A Musical Celebration of Vocal Excellence

The Vocal segment of Nadaamritam 2025 was a soulful tribute to the post-Trinity composers, demonstrating the power of Carnatic music in storytelling, spirituality, and devotion. With each performance, the audience was drawn deeper into the rich melodic world of these legendary compositions.

 Closing Thoughts

As the final echoes of Jaya Jaya Bhuvi Divi faded, the atmosphere remained charged with admiration and reverence. Harshini and Kruthi delivered heartfelt closing remarks, expressing gratitude to the performers, mentors, and audience. The festival not only showcased the brilliance of young musicians but also reaffirmed that Carnatic music continues to thrive, evolve, and inspire generations to come.